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When God goes silent.

When God Goes Silent | Nadine A. Thompson
A mature Black woman sitting in a chair by a window, holding a Kintsugi bowl to her heart, with a Bible nearby
Personal Essay · Faith · Healing

When God Goes Silent:
Betrayal, Racism, and the Pain That Doesn’t Leave

A testimony of faith cracked open — and held anyway

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There is a particular kind of pain that lives below the throat. It does not announce itself at dinner parties or in therapy waiting rooms. It does not fit neatly into a diagnosis or resolve itself in twelve sessions. It is the pain of a woman who trusted — trusted a vision, trusted a man, trusted that God was watching — and found herself standing in the wreckage of all three at once.

I know this pain. I have carried it silently for longer than I care to admit.

His name was D.W.. The company was called Warm Spirit. And what happened there — what was done, what was taken, what was made clear about how the world sees a Black woman with a dream — did not just cost me professionally. It reached into something far more tender. It made me question whether I was capable of being loved. Whether I was worthy of fulfillment. Whether God, who I had followed with my whole heart, had simply looked away.

I am writing this because I believe someone reading these words is carrying the same silent weight. And I want you to know: you are not alone in this deep and ugly place.

The Pew

It did not come to me at a business meeting or in the middle of the night. It came to me in church.

I was sitting in the pew, as I have sat in pews my whole life — a woman of faith, a woman who prays before she moves her feet, a woman who has built everything she has on the belief that God is present and purposeful. The preacher was speaking about God’s love. About being chosen. About how the Father sees each of us, knows each of us, holds each of us.

And something in me broke open.

Not with comfort. With grief.

Was I the only person in this room that God doesn’t love? The thought came before I could stop it. Is there some karma I am paying — mine, or my parents’ — some ancient debt that has followed me here, into this pew, into this life, into all this trying?

I looked around at the faces lifted in worship and felt more alone than I have ever felt in a crowd. Because the sermon was not for me. Or at least, it did not feel that way. It felt like a description of a relationship I had applied for and been quietly, consistently denied.

This is not a pretty thing to admit. It is not the kind of faith testimony that gets you invited to speak at women’s conferences. But it is the truth. And I have decided that the truth, however ugly, is more useful to you than a carefully managed version of my healing.

What Betrayal Does That No One Talks About

We speak of betrayal as though it is a single event. A door that closes. But for a woman — especially a Black woman in professional spaces — betrayal is not a door. It is a slow erosion. It works in layers.

The first layer is the visible wound: the broken promise, the stolen vision, the professional harm done in plain sight. That part, at least, has a name. You can point to it. You can say, this happened, and it was wrong.

But beneath that is a second layer, quieter and more corrosive. It is the layer where racism and sexism have already prepared the ground. Where you were never fully seen as the architect of your own vision. Where your authority was tolerated but never truly respected. Where the message — unspoken but unmistakable — was that someone like you was not meant to occupy this much space.

And then, beneath even that, is the deepest layer. The one that catches you mid-sermon on a Sunday morning. The one that asks the question you are most ashamed to be asking: If I were truly loved — by God, by the universe, by life itself — would this have been allowed to happen to me?

The Trigger No One Warns You About

There is another kind of pain I need to name, because I have never seen it written about honestly.

It comes when you are driving through a neighborhood and see a beautiful home. It comes when you read about an entrepreneur who has built something extraordinary, something that looks — from the outside — like what you once had, what you built, what was taken. It comes quietly, with no warning, and it sits in your chest like a stone.

I have been digging another well for eighteen years.

Eighteen years of Soul Purpose. Eighteen years of faith-driven, integrity-rooted, generosity-centered work. And when I am honest with myself — in the way that I ask my clients to be honest with me — I have not yet reaped the kind of harvest that eighteen years of faithful labor should yield. And I do not always know what to do with that truth.

I feel alone in it. I feel betrayed by it. I feel, on the hardest days, like damaged goods. Like a woman marked by something invisible — some wound the world cannot see but somehow keeps responding to.

I know I am not the only one who has stood in this place. Who has worked faithfully and waited faithfully and loved faithfully and still found themselves on the outside of the abundance they were promised. If you are there too, I want you to know that I see you. I am you.

The Theology of Unanswered Pain

I am a woman of faith. I have built my life, my clinical practice, my business philosophy on the belief that God moves, that prayer precedes action, that generosity of spirit returns to its source.

And yet.

There are seasons when faith is not a comfort. It is an accusation. Because if God is sovereign — if He numbers the hairs on our heads and notices the sparrow — then what does it mean that He watched what happened and did not intervene? What does it mean to pray move your feet and move them faithfully, only to be betrayed by the very ground you stepped onto?

I will not offer you easy answers here. I do not have them.

What I will say is this: the pain of feeling unseen by God, forgotten by God, is one of the most isolating experiences a human being can have — because we are rarely given permission to name it. We are told to trust. To praise Him anyway. To believe that all things work together for good even when the evidence is, at best, unclear.

All of that may be true. And it may also be true that you are in tremendous pain. Both things can exist at once. Your anguish is not a failure of faith. It is the evidence of how much you loved, how much you believed, how much you gave — and how real the loss was when it came.

What Racism and Sexism Steal That No One Reimburses

Here is what I want to say plainly, because it rarely gets said plainly enough:

When a Black woman is betrayed in a professional space, the wound is not simply personal. It is structural. She does not just lose a business relationship or an opportunity. She loses something that took decades to build — the armor of credibility, the carefully tended proof that she belongs, the exhausting work of being twice as prepared, twice as professional, twice as gracious in rooms that were never designed with her in mind.

And when that is taken — by someone who exploited her trust, her vision, her labor — the world does not rush to her side. The world, more often, questions what she did wrong.

That is the particular cruelty of this intersection. The racism says you were naive to believe you were an equal. The sexism says you were too emotional, too ambitious, too much. And together they press the oldest lie into the newest wound: you brought this on yourself.

You did not bring this on yourself.

The Broken Bowl

There is a Japanese art form called Kintsugi. When a bowl is broken, the cracks are repaired not with glue meant to hide the damage, but with gold. The breaking becomes visible. The mending becomes beautiful. The wound becomes the most luminous part of the whole.

I have thought about Kintsugi for a long time. I think I finally understand why it touches something so deep in me.

I am a broken bowl.

I do not say that with despair, though despair has been part of it. I say it as plainly and honestly as I know how. I have been broken — by betrayal, by racism, by sexism, by eighteen years of faithful labor that has not yet yielded what I was promised, by sermons about a love I sometimes cannot feel. I have cracks running through me that I have learned to carry with a kind of dignity, because there was no other choice.

And the gold in my cracks — if I am being generous with myself, if I am trying to see what others seem to see — is resilience. It is the one blessing I can name without hesitation. Not abundance. Not ease. Not the harvest I have been waiting for. Resilience.

On my best days, I understand that this is not a small thing. That the women who sit across from me in my practice, the broken ones, the ones who feel forgotten and damaged and alone — they come to me because I know the territory. I recognize them because I am them.

But I will not pretend that resilience always feels like a gift. Sometimes it feels like the only thing left after everything else was taken. Sometimes the gold in the cracks is beautiful. And sometimes you just wish the bowl had never been broken.

The Light That Comes and Goes

I want to be honest with you about something, because I think you deserve honesty more than you deserve comfort.

The light does come back. It has come back for me, in seasons and in glimpses — in my garden, in the faces of my grandchildren, in the work I have built, in the women who have exhaled for the first time in years sitting across from me.

But I will not tell you the pain goes away. For some wounds — the ones that touched your sense of your own worth, your place in God’s story, your right to belong — the healing is not a destination. It is a practice. Some mornings you will wake and the ache will be as fresh as it ever was. Some Sundays the sermon will land like a closed door. That is not failure. That is the honest shape of a deep wound.

What I have learned — slowly, imperfectly — is that the pain and the light are not opposites. They are companions. The women I trust most in this world are the ones who have been broken open and have not pretended otherwise. Their tenderness comes from exactly the place that was wounded. Yours does too. Even when you cannot feel it.

You Are Not Alone

If you are reading this from that deep and ugly place — the one where God feels absent and love feels impossible and the wound is so old it has become part of your landscape — I want to sit with you here for a moment.

You are not crazy. You are not faithless. You are not damaged goods.

You are a woman who trusted deeply and was hurt profoundly. You are carrying something real. You may have been digging a new well for years and not yet tasted the water. You may have sat in a pew last Sunday and felt more alone than you expected. You may be looking at someone else’s beautiful home or flourishing business and feeling a grief you don’t know how to explain.

I see you. I am with you. And the fact that you are still standing — still breathing, still reaching, still digging — is not nothing.

It is everything.

The wells run dry. We dig again. Not because we are not tired. Not because the grief is not real. But because the water is still in us. And sometimes the most honest, most faithful, most courageous thing we can do is admit that the bowl is broken — and keep it anyway, gold cracks and all.

— Nadine
Nadine A. Thompson, LICSW, MSW
Licensed Clinical Social Worker · Author · Speaker · Founder, Soul Purpose

Nadine Thompson is a psychotherapist with over three decades of clinical experience, a graduate of Smith College School for Social Work, and the author of The Four Sisters of St. Anne’s Hill. She is the founder and CEO of Soul Purpose, a natural beauty and wellness company rooted in generosity of spirit. She lives in Exeter, New Hampshire with her husband, the Reverend Robert H. Thompson. Learn more at nadinethompson.com.

© 2026 Nadine A. Thompson · nadinethompson.com · Soul Purpose · All rights reserved

The Golden Repair: Kintsugi and Healing Trauma

Healing & Wholeness

The Golden Repair:
What Kintsugi Teaches Us About Healing Trauma

There is a kind of beauty only brokenness can create.

In 15th-century Japan, a shogun sent his favorite tea bowl to China for repair after it broke. It came back held together with unsightly metal staples. Unhappy with the crude fix, the shogun commissioned Japanese craftsmen to find a more beautiful solution. What those artisans discovered — and what has been passed down through centuries — was something far more profound than a repair technique. They filled the cracks with lacquer mixed with powdered gold, silver, or platinum, transforming the broken vessel into something more luminous and rare than it had ever been before.

That practice is called kintsugi, which translates as “golden joinery” or “to repair with gold.”

As a clinical social worker with more than three decades of experience walking alongside people in their most tender moments, I have returned to this image again and again. It captures something that no clinical manual has ever quite been able to say: that healing is not about hiding what happened to you. It is about learning to carry it — visibly, honestly, and with a kind of luminous dignity.

“Kintsugi does not pretend the bowl was never broken. It honors the breaking as part of the bowl’s story — and it insists that the story is still worth telling.”

The Problem with “Moving On”

One of the most painful things we say to people who are suffering is some version of “you need to move on.” The phrase carries a hidden message: that what happened to you is an interruption, an unfortunate detour, and that wholeness means returning to who you were before.

But trauma does not work that way. It is not a detour. It is an event that reshapes the landscape of your interior life. The person who walks through a profound loss, an act of violence, a betrayal, or any wound that cuts to the core of their sense of self — that person does not return. They go forward. And the healing question is not “How do I get back?” but rather, “Who do I become now, with all of this as part of me?”

Kintsugi gives us a framework for answering that question with grace.

Three Teachings of the Golden Repair

I

The Cracks Are Not the Wound

The cracks in a kintsugi bowl are not the damage — they are the record of what happened and what was done in response. Trauma leaves marks. Those marks are not shameful. They are evidence of a life fully lived.

II

Repair Requires Something New

The bowl is not glued back together with the original clay. Gold fills the gap. Healing asks us to bring something into the wound — new understanding, new compassion, new meaning — that was not there before.

III

Beauty Is Not Restored — It Is Revealed

The repaired bowl is not identical to the original. It is rarer, more storied, more interesting. Healing does not restore you to a prior self. It reveals a self you could not have been without the breaking.

IV

The Work Is Skilled and Slow

Kintsugi is not a quick fix. It requires patience, mastery, and care. So does the healing of trauma. There are no shortcuts to wholeness — only presence, intention, and the willingness to stay with the process.

What This Looks Like in Practice

If you are in the midst of something that has broken you open, I want to offer you the kintsugi framework not as a platitude, but as a genuine orientation for the road ahead.

Acknowledge the break. Kintsugi begins with facing the fracture. This is the hardest part for many of us, because our culture rewards stoicism and discourages tenderness toward our own wounds. But you cannot gold-fill a crack you refuse to see. The beginning of healing is the honest admission: something happened, and it changed me.

Find your gold. Gold, in the kintsugi metaphor, is whatever you bring to the broken place that gives it new life — therapy, prayer, community, creative expression, honest conversation, time in the garden, the Word. Your gold will be particular to you. The question to ask is not “How do I cover this?” but “What do I want to grow in this place?”

Let the repair be visible. One of the most countercultural aspects of kintsugi is that it does not hide the repair. The gold lines are meant to be seen. There is profound healing power in allowing others to witness your wholeness — not the performance of invulnerability, but the real, textured, golden-cracked truth of who you are becoming.

Trust the process, not the timeline. You cannot rush kintsugi. The lacquer must dry at its own pace. Healing has its seasons, and they are not always the seasons we would choose. The Japanese art form teaches us that patient, skilled attention to the break — not urgency, not force — is what produces something luminous.

“You are not a broken thing waiting to be fixed. You are a life in process — and the gold is already being poured.”

A Word for Those Who Are Still in the Breaking

If you are reading this in the midst of the shatter — not yet at the repair, not yet able to imagine the gold — then this is what I want you to know: every kintsugi bowl looked, at one point, exactly like you feel right now. Pieces. Fragments on the floor. No sense yet of how it could possibly be reassembled, much less made beautiful.

That is not the end of the story. It is only the most honest moment in it.

The bowl becomes kintsugi not because it avoided breaking, but because someone decided that the breaking was not the final word. Today, I am inviting you to make that same decision about yourself. Not to bypass the grief. Not to perform recovery you do not yet feel. But to hold, even gently, the possibility that what you are living through is not destroying your story — it is deepening it.

And that, beloved, is where the gold begins.

Nadine Abraham Thompson, LICSW Licensed Independent Clinical Social Worker · Founder, Soul Purpose · nadinethompson.com

Thoughts & Reflections on wellness and self-care

The content highlights the significance of self-care for Black women, who face unique stressors such as racism and caregiving. It emphasizes that self-care is vital for improving mental and physical health, suggesting practices like exercise, healthy eating, and relaxation techniques. The message advocates for prioritizing self-care as essential for well-being.

Kintsugi – THE BEAUTY OF BECOMING

Kintsugi – The Beauty of Becoming: Why I’m Filling My Cracks With Gold

There is a Japanese art form called Kintsugi. When a piece of pottery breaks, the artisan does not throw it away. They do not glue it back together and hope no one notices. They pick up every shard, and they fill the seams with lacquer dusted with gold — sometimes silver, sometimes platinum — so that the repair itself becomes the most luminous part of the vessel. The bowl that emerges is not the same bowl that existed before it broke. It is more beautiful. It is more valuable. It carries its story in gold.

I have been thinking about Kintsugi for a long time. Not as an art history lesson, but as a way of understanding what it means to be a woman who has lived — really lived — and come through the other side. Because if we are honest with ourselves, every one of us is a vessel that has been broken. Some of us in dramatic, life-splitting ways. Some of us in the quiet, accumulating fractures of days that asked too much and gave too little. Some of us by other people’s hands. Some of us by ourselves.

And here is what Kintsugi teaches us that the world does not: the breaking is not the end of the story. It is the beginning of a different kind of beauty.

We live in a culture that wants women to arrive unblemished. Smooth. Seamless. As though we were poured yesterday and never touched by heat or dropped on a hard floor. We are sold concealers and correctors and “anti-aging” everything, as though the evidence of having lived were something to erase rather than something to gild. As though a woman who has been broken and repaired were worth less than one who has never been cracked at all.

But I have looked at the women in my sistahood — my soul sisters — and I do not see damage. I see gold seams. I see the luminous repair where grief was met with grace. Where loss was filled with purpose. Where heartbreak was met with the kind of courage that does not just put you back together but makes you more radiant than you were before you fell apart.

This is the beauty of becoming.

Not the beauty of being perfect. Not the beauty of never having been broken. But the beauty of having been shattered and choosing — deliberately, bravely, with your own two hands — to fill the cracks with something precious.

This blog is that vessel. And every post is another vein of gold.

Some weeks we will talk about the breaking — because we do not heal what we will not name. Some weeks we will talk about the repair — the rituals, the practices, the small daily acts of self-nurture that fill our fractures with something luminous. Some weeks we will talk about the beauty that emerges on the other side — not despite the breaking, but because of it. Always, we will do it together. Because Kintsugi is not a solitary art. It is done by hands that choose to repair rather than discard. And in this sistahood, we are each other’s artisans.

I am Nadine. I have been broken. I have been repaired. And the gold in my seams is the community of women who showed me that healing is not about pretending the cracks aren’t there — it is about making them glow.

Welcome to The Beauty of Becoming. Where healing becomes beautiful.

Every post from here forward is another vein of gold in the larger vessel. Stay.